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With close reference to one scene from "pan's labyrinth", explore how cinematography and mise-en-scene create meaning. The pale man sequence begins with the camera zooming out from Ofelia as she is entering the pale mans layer. This is followed by a cross-dissolve showing the corridor. The first shot uses a lot of low-key lighting whereas the second uses high-key lighting to show the transition from the real world where the Spanish civil war is happening  and franco is the dictator of Spain to the fantasy world. Del Toro has used a lot of red in the second shot to create a warm atmosphere  for the mis-en-scene. The camera continues to track backwards making Ofelia smaller and smaller. This could portray the idea that Ofelia's knowledge of the world around her is very limited and she feels more comfortable in the fantasy world.  There is a jump cut to a chair being paced on the floor as the camera tilts up to show Ofelia. This could show that the chair is goin...
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Discuss how important cinematography is in establishing strong responses from spectators to a key character in "La La Land". your answer must refer yo one scene in detail. The start of this sequence sees a mid shot zooming out to a long shot at a steady pace. This camera movement makes Seb the focus point of the shot and this helps me allign with the character. I see him as the cool guy who has a soft side to him and i can relate to that in a way as i see that in myself. At this point I was experiencing a preferred reading as  I enjoyed this time of the sequence as i really like the diegetic music with it as it is quite peaceful.This is supported by the spotlight shining on him as he is the only visible thing to the audience and this emphasises how important his character is to this story of love. The idea of him also playing a piano gives off a sense of romance. The diegetic music is slow, making the scene meaningful and i experienced an passive viewing as i accepted...
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“The director is the most important influence on a film” Compare how far your two chosen films support this statement. The two films I have selected for this question is Blade Runner (1992 directors cut) and The Lady From Shanghai (1947) and the directors in question are Ridley Scott and Orson Welles. The Auteur Theory is “create your own visual style… let it be unique for yourself and yet identifiable for others.” Orson Welles. The Lady From Shanghai was made in 1947 by Orson Welles starring himself and Rita Hayworth. This film was originally made to get Welles out of Debt because he went over budget for a stage production of around the world in 80 days and he owed IRS Money. The film had a budget of 2.5 million in which Welles went overbudget due to shotting in far locations such as Nicargarua and San Fransisco   , increasing costs on travel and accommodation. Welles wanted full control of the film and had his actress Rita Hayworth hair bleached and cut, which angered Har...
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